Right now he is selling nice little temperas for sixty (60) dollars because he needs money. The point is that here, in Los Angeles, is a man who has devoted his life to the creative act, whose films have long been distributed by the Museum of Modern Art in New York, who in 1948 was awarded the “Grand Prix” at the Brussels International Art and Film Festival, and who has been allowed to rot in Los Angeles. But, for the moment, all of this is beside the point. The new works are smaller and somewhat more relaxed due, perhaps, more to age than to intention. The works range from 1944 until the present without any recognizable change in pattern or philosophy. They are intellectually conceived and relate to the Bauhaus idea of an ordered universe. This is probably as it should be for the paintings shown here owe their life to the awareness of optics, implied movement, flickering surface, and deep space. In his highly innovative moving-image works created from the 1920s to the 1950s, avant-garde filmmaker and artist Oskar Fischinger (1900-67) brought together. By continuing to browse the site, you accept the use. Cookies help Arcadja to provide its services. Oscar FISCHINGER (1900-1967): Prices, Works. Many are in major museums and collections worldwide.Oskar Fischinger is better known as a creator of abstract films than he is as a painter. Oscar FISCHINGER (1900-1967): Prices, estimates, images, works by the artist at auctions of paintings, drawings, watercolors, prints, sculptures. Fischinger's subsequent color films Muratti Marches On and Composition in Blue gained so much critical and popular acclaim that Paramount offered him a contract, and in 1936 he set sail for Hollywood never to return to Germany.įischinger created over 800 paintings in his lifetime. He pursued experiments with drawn synthetic sound and collaborated with Bela Gaspar on a 3-color film process, GasparColor, which allowed him in 1933 to complete his first color film Kreise. These Studies screened widely in Europe, Japan and America, and came to be in great demand.
He then produced the remarkable series of black-and-white studies tightly synchronized to music. decided that he must devote himself full-time to abstract filmmaking.
In 1928, he did rockets and other special effects for Fritz Lang's Frau Im Mond. Based in Berlin from 1927, he was acclaimed for his technically innovative art films, in which he animated forms and colors and synchronized them with music. By 1927 financial difficulties forced him to leave Munich, so he walked to Berlin where he re-established himself. The German-born Oskar Fischinger (1900-1967) was an abstract artist working in both painting and film. This is probably as it should be for the paintings shown here owe.
soon resigned his engineer job and moved to Munich to become a full-time filmmaker. Oskar Fischinger is better known as a creator of abstract films than he is as a painter. Bernhard Diebold urged him to take up abstract filmmaking. In the fine art world, Fischinger is admired for the stylistic dexterity of oil paintings that explore human perception and, as the art critic Esther Leslie wrote of Fischinger’s work, “a consciousness of space that is not geographical but graphic and time as non-linear and convoluted.” As a visionary of abstract expression, Fischinger left an indelible mark in filmmaking history, and is considered one of the pioneers of non-objective animation and visual music." "To Oskar Fischinger, the potential of abstraction was infinite.